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      <image:title>Rahmennotizen | Frame Notes - Durand-Ruel – Der letzte Originalrahmen? - Mach es besonders</image:title>
      <image:caption>Stanislas Lépine, La Seine à l’Estacade, 1882, im vermutlich ursprünglichen Galerierahmen.</image:caption>
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      <image:title>Rahmennotizen | Frame Notes - Durand-Ruel – Der letzte Originalrahmen? - Mach es besonders</image:title>
      <image:caption>Rückseite des Gemäldes</image:caption>
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      <image:title>Rahmennotizen | Frame Notes - Durand-Ruel – Der letzte Originalrahmen? - Mach es besonders</image:title>
      <image:caption>Eine historische Fotografie der großen Impressionisten-Ausstellung, die Durand-Ruel 1905 in den Londoner Grafton Galleries veranstaltete, zeigt, wie konsequent er diesen Rahmentyp einsetzte. An der linken Wand hängt Pierre-Auguste Renoirs berühmtes Le Déjeuner des canotiers (1880–1881) in einer entsprechenden Rahmung. Das Gemälde befindet sich heute in der Phillips Collection in Washington – allerdings nicht mehr in seinem damaligen Rahmen.</image:caption>
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      <image:title>Frame Notes - Durand-Ruel – The Last Original Frame? - Mach es besonders</image:title>
      <image:caption>Stanislas Lépine, La Seine à l’Estacade, 1882, in what is presumably its original gallery frame.</image:caption>
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      <image:title>Frame Notes - Durand-Ruel – The Last Original Frame? - Mach es besonders</image:title>
      <image:caption>Reverse of the painting</image:caption>
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      <image:title>Frame Notes - Durand-Ruel – The Last Original Frame? - Mach es besonders</image:title>
      <image:caption>A historical photograph of the major Impressionist exhibition organised by Durand-Ruel at the Grafton Galleries in London in 1905 demonstrates how consistently he used this type of frame. On the left wall, Pierre-Auguste Renoir’s celebrated Le Déjeuner des canotiers (1880–1881) can be seen in a similar frame. Today, the painting is in the Phillips Collection in Washington – but no longer in the frame it had at the time.</image:caption>
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